curious

bibliography of books and articles by Hill and Paris

Books:
Hill L. and Paris H., 2007. Greenham Common. London: Artsadmin.

Hill L. and Paris H. eds., 2006. Performance and Place. London: Palgrave Macmillan.

Hill and Paris H. eds., 2004. Guerilla Performance: How To Make a Living as an Artist. London: Continuum.

Hill L. and Paris H. eds., 2001. Guerilla Performance & Multimedia. London: Continuum.

McDonald J. & Hill L. eds., 1993. Harley Granville Barker: An Edinburgh Retrospective 1992. Glasgow: Theatre Studies Publications.

 

Articles:

Paris, H., 2010.  The Smell of It.  In Freeman, J., Blood, Sweat & Theory: Research through Practice in Performance.  London: Middlesex University Press.

Paris, H., and Hill, L., 2009. Curious Interview. In Machon, J. (Syn)aesthetics. London: Palgrave Macmillan.

Paris, H., 2008. Curious Journeys. In Théâtre / Public issue 191.

Hill, L., 2008. Review of Ethno-Techno: Writings on Performance, Activism and Pedagogy by Guillermo Gomez-Pena. (Reprinted) In Live Art Almanac, London: Live Art Development Agency.

Hill, L., 2007. Review of Ethno-Techno: Writings on Performance, Activism and Pedagogy by Guillermo Gomez-Pena. In Contemporary Theatre Review.

Hill, L. and Paris, H., 2008. Being Curious. In Aston, E. and Harris, G. eds. Performance Practices and Process. London: Palgrave Macmillan.

Hill, L. and Paris, H., 2006. Curious Feminists. In Aston, E. and Harris, G. eds. Feminist Futures. London: Palgrave Macmillan.

Hill, L., 2006. Mapping the Territory. In Hill, L. and Paris, H., eds. Performance and Place. London: Palgrave Macmillan.

Hill, L., 2006. (dis)Placing the Senses. In Hill, L. and Paris, H., eds. Performance and Place. London: Palgrave Macmillan.

Hill, L., 2006. On Location. In Hill, L. and Paris, H., eds. Performance and Place. London: Palgrave Macmillan.

Hill, L., 2006. Border Panic. In Hill, L. and Paris, H., eds. Performance and Place. London: Palgrave Macmillan.

Hill, L., 2006. Theatre in a Crowded Fire. In Hill, L. and Paris, H., eds. Performance and Place. London: Palgrave Macmillan.

Paris, H., 2006.  Too Close for Comfort. In Hill, L. and Paris, H., eds. Performance and Place. London: Palgrave Macmillan.

Hill, L., 2005. Red Lantern House. In China Live: Reflections on Contemporary Performance Art. London: Live Art UK.

Hill, L. and Paris, H., 2005. One to One. In We Love You: Reflections on Audiences. London: Goethe Institute.

Hill, L., Paris, H., and Bhalla, U., 2004. On the Scent. In Arends B. and Slater, V., eds., Talking Back to Science: Art, Science and The Personal. London: The Wellcome Trust.

Hill, L. and Paris, H., 2003. On the Scent. In Performance Research, On Smell. London: Routledge.

Hill, L., 2002. Terra Incognita. In Wolf-Meyer, M., ed., Reconstruction: An Interdisciplinary Culture Studies Community: Autobiogeography: Considering Space and Identity. Volume 2, Number 3.

Paris, H., 2002. Crossing Wires, Shifting Boundaries. In Bailes, S. and Derno, M. eds. Women and Performance, Issue 24. New York: NYU Press.

Paris, H., 2002. Ontology of the Olfactory. In Tessera. Montreal: University of Montreal.

Hill, L., 2001. Scratch in the Record. In Goodman, L. and deGay, J., eds., Languages of Theatre Shaped by Women. Bristol: Intellect.

Hill, L., 2000. Suffragettes Invented Performance Art. In Goodman, L., ed., The Routledge Performance Reader. London: Routledge.

Paris, H., 2000. Vena Amoris. In Live Art Magazine. Nottingham: Nottingham Trent University.

Hill, L., 1999. The Day Don Came With the Fish. In In the Event of Text: Ephemeralities of Writing. Utretch: G F Smith.

Hill, L. and Paris, H., 1998. I never go anywhere I can’t drive myself. In Performance Research, On Place Volume 3, No. 2. London: Routledge.

Hill, L., 1998. Fleshing it Out. In Chowdry, M. and Rapi, N., eds., Acts of Passion: Sexuality, Gender and Performance. New York: Hawthorn Press.

Hill, L., 1998. Push the Boat Out. In New Theatre Quarterly. Cambridge: CUP.

Hill, L., 1998. Deus ex Machina. In, New Theatre Quarterly. Cambridge: CUP.

Hill, L., 1996. Strange Relations. In Spencer, C. ed., Its Queer Up North 1992-1996: A Catalogue of Performance. Manchester: IQUN.

Hill, L., 1993. The Marrying of Ann Leete. In McDonald J. and Hill, L eds., Harley Granville Barker: An Edinburgh Retrospective 1992. Glasgow: Theatre Studies Publications.

Hill, L., 1993. A Chronology of Harley Granville Barker. In McDonald J. and Hill, L eds., Harley Granville Barker: An Edinburgh Retrospective 1992. Glasgow: Theatre Studies Publications.

Hill, L., 1992. Exit, pursued by a footnote': excavating humour from Shakespeare. In Archaeological Review from Cambridge, Vol.11:2. Cambridge: CUP.


Articles about the work of Hill / Paris / Curious:

Aston, E. and Harris, G., 2008. Being Curious. In Performance Practices and Process, Aston and Harris (eds.), (London: Palgrave Macmillan) 2008.

Heddon, D., 2008. Autobiography and Performance. London: Palgrave MacMillan.

Schmidt, T., 2008. Vena Amoris. In Live Art Almanac. London: Live Art Development Agency.

Dixon, S., 2007. Digital Performance. Cambridge: MIT Press.

Elwes, C., 2004. Introduction. In Arends B. and Slater, V., eds., Talking Back to Science: Art, Science and the Personal. London: Wellcome Trust.

Millard, R., 2004. On the Scent. In New Statesman. London: New Statesman.

Chalmers, J. and Chaudhuri, U., 2004. Sniff Art. In TDR/The Drama Review, Vol. 48, No. 2 (T182), Pages 76-80: 76-80.

Hyde, A., 2004. On the Scent. In New York Arts Magazine, May issue.

Singh, S., 2003. A Sense of Wonder. In New Scientist, vol 177 issue 2384

Goodman, L., and deGay, J., eds, 2000. The Routledge Reader in Politics and Performance. London: Routledge.

Ayres, R., 2000. ‘Body Language. In Contemporary Visual Arts Magazine, issue 27, February.

Goodman, L., 1999. Sexuality in Performance: Replaying Gender in Theatre and Culture.  London: Routledge.

Loveless R., and Goodman, L., 1999. New Media Performance: the Next Frontier. In Alsopp R., and delaHunta S., eds. Performance Research. London: Routlege.

Adshead-Lansdale, J., 1998. In Goodman, L., and deGay, J. eds., The Routledge Reader in Gender and Performance. London: Routledge.

Brosnan, J., 1998. Chapter Seven. In Rapi, N. and Chowdry, M. eds, Acts of Passion: Sexuality, Gender and Performance. New York: Hawthorn Press.

Egervary, B., 1998. Another Con-Text. In Rapi, N. and Chowdry, M. eds, Acts of Passion: Sexuality, Gender and Performance. New York: Hawthorn Press

Scholz, T. 1997, Eporue 2000 – Two Mouths, One Tongue. In Surfacing At A Different Place. London: Green Press..