Mr.B

Miran Kres
17 April 2003
Amsterdam: 52n17 4e57

The homophobic caricature is still being analyzed as retro-chic trendy outsiders making brief one-off staged performance-piece. The photography demonstrates queer performativity in its most undidactic ludic avatar. It offers marginalized corporeal-“leather gay” image, constructed as style-virtuoso mask- personae-player, still demonized as pink mafia.